This course is designed for those interested to learn the basics of drum programming, making hip hop, funk and footwork beats, the three most important elements of drum pattern and the six keys to understand meter and pulse. Read more.
Jason Allen is a PhD in music, and was recently named one of the semi-finalists for the Grammy Foundations "Music Educator" award.
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Who this course is for:
- Students who are making tracks, but want a better handle on how to program drums.
- Students are interested in electronic music and want to learn the fundamentals of drum programming.
What you’ll learn:Â
- Understand and be able to use basic beat patterns and build unique and progressive beats.
- The 6 keys to understanding meter and pulse
- The keys to making solid Drum and Bass drum patterns.
- The keys to making bangin Dubstep drum patterns.
- The keys to making tight Trap drum patterns.
- The 3 most important elements of the drum pattern
- The 5 keys to a drum groove with “feel”
- The most important elements to the “basic pattern”
- The top 5 reasons to add “swing” to your patterns
Requirements:Â
- Students should be comfortable with an audio sequencing application (Ableton Live, Pro Tools, Logic, FL Studio, Fruity Loops, etc.) Any audio sequencer will work.
- Students should be ready to make tracks using beats!
- Sample libraries are not required. Samples will be provided.
- Students do not need to know how to read music, rhythms, or any music theory.
- Must have taken Drum Programming Masterclass Part One: Rhythms And Patterns
This course uses Ableton Live and some Logic, but it will be easy to follow along on whatever program you are most comfortable with. We will start the class off with an explanation of working with samplers, and working on the MIDI grid. Then we will learn to adapt that pattern to work for a number of different styles, including Drum and Bass, Trap, and Dubstep.
This is a class designed for music producers who are ready to get serious about drum programming. The art of programming drums on a MIDI grid, in drum machines, or with audio files can be tricky to master but when you finish this class, your tracks will have the extra energy that comes from professional drum tracks.
Also in the class, we will be doing a number of analysis projects. That just means we will load up some tracks, and reconstruct the beat in the track. Doing this will help us to see how those beats are built, and guide us in making our own beats.
Our Promise to You
By the end of this course, you will have learned samplers and sequencing in drum programming.
10 Day Money Back Guarantee. If you are unsatisfied for any reason, simply contact us and we’ll give you a full refund. No questions asked.
Get started today and learn more about drum programming.
Course Curriculum
| Section 1 - Introduction | |||
| Welcome And Introduction | 00:00:00 | ||
| About Me | 00:00:00 | ||
| Tools | 00:00:00 | ||
| Review: How To Read Rhythms On The Grid | 00:00:00 | ||
| Review: The Basic Beat | 00:00:00 | ||
| Section 2 - Working With Samplers | |||
| Why Work With Samplers? | 00:00:00 | ||
| Hardware Drum Machines | 00:00:00 | ||
| The Basic Outline Of A Sampler In Ableton Live | 00:00:00 | ||
| The Basic Outline Of A Sampler In Logic Pro X | 00:00:00 | ||
| Section 3 - Working On The MIDI Grid | |||
| Advantages Of MIDI | 00:00:00 | ||
| Note On And Off | 00:00:00 | ||
| Velocity | 00:00:00 | ||
| Setting Up A MIDI Track | 00:00:00 | ||
| Section 4 - Genre Study: Drum And Bass | |||
| Back To The Basic Beat | 00:00:00 | ||
| A Drum And Bass Basic Pattern | 00:00:00 | ||
| Analysis: John B - Up All Night | 00:00:00 | ||
| Analysis: Sub Focus - X-Ray | 00:00:00 | ||
| Analysis: Konflict - The Beckoning | 00:00:00 | ||
| Section 5 - Performance And Humanization | |||
| Playing It In | 00:00:00 | ||
| Quantization And Settings | 00:00:00 | ||
| Controllers | 00:00:00 | ||
| Recording Controllers | 00:00:00 | ||
| Ableton's Groove Settings | 00:00:00 | ||
| Section 6 - Genre Study: Dubstep | |||
| The Basics Of Dubstep | 00:00:00 | ||
| Analysis: Skrillex - Scary Monsters And Nice Sprites | 00:00:00 | ||
| Analysis: Flu Pavillion - I Can't Stop | 00:00:00 | ||
| Analysis: The Drop Section In Flux Pavillion, I Can't Stop | 00:00:00 | ||
| Section 7 - Using Effects | |||
| Adding Some Life With Effects | 00:00:00 | ||
| Filtering | 00:00:00 | ||
| Delay Effects | 00:00:00 | ||
| Reversed Sounds | 00:00:00 | ||
| Pitch Shifting | 00:00:00 | ||
| Section 8 - Genre Study: Trap | |||
| The Basics Of Trap | 00:00:00 | ||
| Analysis: Turn Up - Gent And Jawns | 00:00:00 | ||
| Analysis: The Drop - Bro Safari | 00:00:00 | ||
| Section 9 - Dynamic Effects | |||
| What Are Dynamic Effects? | 00:00:00 | ||
| Ghost Notes | 00:00:00 | ||
| Noise Risers | 00:00:00 | ||
| Volume For Variation | 00:00:00 | ||
| Section 10 - Wrap Up | |||
| What Comes Next? | 00:00:00 | ||
| Thanks And Bye | 00:00:00 | ||
About This Course
Who this course is for:
- Students who are making tracks, but want a better handle on how to program drums.
- Students are interested in electronic music and want to learn the fundamentals of drum programming.
What you’ll learn:Â
- Understand and be able to use basic beat patterns and build unique and progressive beats.
- The 6 keys to understanding meter and pulse
- The keys to making solid Drum and Bass drum patterns.
- The keys to making bangin Dubstep drum patterns.
- The keys to making tight Trap drum patterns.
- The 3 most important elements of the drum pattern
- The 5 keys to a drum groove with “feel”
- The most important elements to the “basic pattern”
- The top 5 reasons to add “swing” to your patterns
Requirements:Â
- Students should be comfortable with an audio sequencing application (Ableton Live, Pro Tools, Logic, FL Studio, Fruity Loops, etc.) Any audio sequencer will work.
- Students should be ready to make tracks using beats!
- Sample libraries are not required. Samples will be provided.
- Students do not need to know how to read music, rhythms, or any music theory.
- Must have taken Drum Programming Masterclass Part One: Rhythms And Patterns
This course uses Ableton Live and some Logic, but it will be easy to follow along on whatever program you are most comfortable with. We will start the class off with an explanation of working with samplers, and working on the MIDI grid. Then we will learn to adapt that pattern to work for a number of different styles, including Drum and Bass, Trap, and Dubstep.
This is a class designed for music producers who are ready to get serious about drum programming. The art of programming drums on a MIDI grid, in drum machines, or with audio files can be tricky to master but when you finish this class, your tracks will have the extra energy that comes from professional drum tracks.
Also in the class, we will be doing a number of analysis projects. That just means we will load up some tracks, and reconstruct the beat in the track. Doing this will help us to see how those beats are built, and guide us in making our own beats.
Our Promise to You
By the end of this course, you will have learned samplers and sequencing in drum programming.
10 Day Money Back Guarantee. If you are unsatisfied for any reason, simply contact us and we’ll give you a full refund. No questions asked.
Get started today and learn more about drum programming.
Course Curriculum
| Section 1 - Introduction | |||
| Welcome And Introduction | 00:00:00 | ||
| About Me | 00:00:00 | ||
| Tools | 00:00:00 | ||
| Review: How To Read Rhythms On The Grid | 00:00:00 | ||
| Review: The Basic Beat | 00:00:00 | ||
| Section 2 - Working With Samplers | |||
| Why Work With Samplers? | 00:00:00 | ||
| Hardware Drum Machines | 00:00:00 | ||
| The Basic Outline Of A Sampler In Ableton Live | 00:00:00 | ||
| The Basic Outline Of A Sampler In Logic Pro X | 00:00:00 | ||
| Section 3 - Working On The MIDI Grid | |||
| Advantages Of MIDI | 00:00:00 | ||
| Note On And Off | 00:00:00 | ||
| Velocity | 00:00:00 | ||
| Setting Up A MIDI Track | 00:00:00 | ||
| Section 4 - Genre Study: Drum And Bass | |||
| Back To The Basic Beat | 00:00:00 | ||
| A Drum And Bass Basic Pattern | 00:00:00 | ||
| Analysis: John B - Up All Night | 00:00:00 | ||
| Analysis: Sub Focus - X-Ray | 00:00:00 | ||
| Analysis: Konflict - The Beckoning | 00:00:00 | ||
| Section 5 - Performance And Humanization | |||
| Playing It In | 00:00:00 | ||
| Quantization And Settings | 00:00:00 | ||
| Controllers | 00:00:00 | ||
| Recording Controllers | 00:00:00 | ||
| Ableton's Groove Settings | 00:00:00 | ||
| Section 6 - Genre Study: Dubstep | |||
| The Basics Of Dubstep | 00:00:00 | ||
| Analysis: Skrillex - Scary Monsters And Nice Sprites | 00:00:00 | ||
| Analysis: Flu Pavillion - I Can't Stop | 00:00:00 | ||
| Analysis: The Drop Section In Flux Pavillion, I Can't Stop | 00:00:00 | ||
| Section 7 - Using Effects | |||
| Adding Some Life With Effects | 00:00:00 | ||
| Filtering | 00:00:00 | ||
| Delay Effects | 00:00:00 | ||
| Reversed Sounds | 00:00:00 | ||
| Pitch Shifting | 00:00:00 | ||
| Section 8 - Genre Study: Trap | |||
| The Basics Of Trap | 00:00:00 | ||
| Analysis: Turn Up - Gent And Jawns | 00:00:00 | ||
| Analysis: The Drop - Bro Safari | 00:00:00 | ||
| Section 9 - Dynamic Effects | |||
| What Are Dynamic Effects? | 00:00:00 | ||
| Ghost Notes | 00:00:00 | ||
| Noise Risers | 00:00:00 | ||
| Volume For Variation | 00:00:00 | ||
| Section 10 - Wrap Up | |||
| What Comes Next? | 00:00:00 | ||
| Thanks And Bye | 00:00:00 | ||




